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Comédie-Française:
Discovering today's playwriting 3rd cycle

Goldfish of Berlin

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“Goldfish of Berlin” is honored to be part of Comédie-Française‘s Foreign Writing program and will be performed as a stage reading on June 14 at 3 PM local time.

Each season, the Comédie-Française is sent about four hundred plays, which are read and studied by a committee, the Readers’ Bureau. These sessions are conducted by the Comédie-Française’s literary adviser and culminate in the selection of nine of these texts, which are then read and performed by the Troupe and Academy in front of an audience.


Nine opportunities to discover nine playwrights, nine new plays which represent how diverse contemporary playwriting can be.
All three cycles revolve around a different type of text: the first one will feature pieces written in French, lively works for young audiences will make up the second one, while foreign plays will be presented during the third one.

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A CONCISE HISTORY

OF FUTURE CHINA

The first ethnic Chinese play has been selected by 
Berliner Festspoele Theatertreffen Stückemarkt (2016)
The script is published now!

Institute of Posthuman Art & Cutlure

In this brand-new project by Reframe Theatre, ‘Postwriters’ Gathering’ is a platform fusing online theatre and literature. Greenizmstory, Gaakyoung, West_wingm, Iphoneman, and Chingceciii would gather here instead of writing from home. They chat about literature, theatre, art and life. It is an art salon of 21st century. Starting from 9pm, June 14, 2023, ‘Postwriters’ Gathering’ will be shown once every two weeks.

At the same time, Reframe Theatre is adapting three novels: "A Haunted VR Conference," a horror VR theatre experience by Greenizmstory exploring the dark side of humans’ nature; "The Goddess," an immersive theatrical adaptation of iphoneman's best-selling novel experiencing love and solitude in different spaces; "Post Office of the Hell", a poignant adaptation of the famous work by West_wingm delving into the laughter and tears of life and death.
 

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Every creation of theatre work is a new and unique experience.

 

The Institute of Posthuman Art & Culture is financially supported by the Arts Capacity Development Funding Scheme of the Government of the Hong Kong Special Administrative Region.

 

The content of this programme does not reflect the views of the Government of the Hong Kong Special Administrative Region.

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